Composer1756–1791

    Wolfgang Amadeus Mozart

    The Child Prodigy Who Became Music's Greatest Genius

    Born on 27 January 1756 in Salzburg and baptised Joannes Chrysostomus Wolfgangus Theophilus Mozart, Wolfgang Amadeus Mozart was composing at five and touring Europe at six, and in a life of just thirty-five years wrote more than six hundred works, including The Marriage of Figaro, Don Giovanni, The Magic Flute and the unfinished Requiem.

    • 18 min listen
    • Composer
    • 600+ works
    • The Requiem
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    A life in brief

    Wolfgang Amadeus Mozart: life and timeline.

    He was picking out melodies at three, taking lessons at four, and composing at five. By six his father had him on the road performing for Empress Maria Theresa and Louis XV — sight-reading anything put in front of him, transposing on the spot, playing with the keyboard covered. The prodigy years made Wolfgang Amadeus Mozart famous and left him managed, exploited, and without a childhood. He broke free at twenty-five, wrote over six hundred works, and was buried in a common grave at thirty-five.

    1. 1756

      Born in Salzburg

      Born 27 January to Leopold, a respected composer and violinist serving as deputy kapellmeister to the Archbishop of Salzburg, and Anna Maria. His older sister Maria Anna — Nannerl — is already musically gifted.

    2. 1761

      Composing at five

      He has been picking out melodies since three and taking formal lessons from his father since four. He can memorise a complex piece after hearing it once, and has perfect pitch. His first compositions show an intuitive grasp of structure that astonishes Leopold.

    3. 1762

      On the road at six

      Leopold takes the children to Munich and then Vienna to perform at court. The grand tour of 1763-1766 follows, through Paris and London. Wolfgang plays for Maria Theresa, Louis XV at Versailles and George III.

    4. 1764

      London and J.C. Bach

      During the 1764-65 stay he meets Johann Christian Bach, son of Johann Sebastian, who mentors him. Under Bach's influence his harmony and melodic development grow markedly more sophisticated.

    5. 1770

      An opera at fourteen

      Mitridate, re di Ponto premieres in Milan and succeeds — proof that the prodigy can sustain a work of real length and complexity, not just dazzle a drawing room.

    6. 1778

      His mother dies in Paris

      Travelling with him in search of employment, Anna Maria falls ill and dies on 3 July, leaving him alone in a foreign city. It ends his sheltered youth.

    7. 1781

      Breaking with the Archbishop

      The Archbishop treats his musicians as servants — eating with the domestic staff, barred from outside performances. After a heated confrontation he quits at twenty-five and goes independent in Vienna, free of both his employer and his father.

    8. 1782

      Constanze

      He marries Constanze Weber over Leopold's strong objection; his father had wanted a match with money and rank. The marriage is happy and permanently short of money. Of six children, two survive to adulthood.

    9. 1786

      The Marriage of Figaro

      Based on a Beaumarchais play banned in Vienna; he and Da Ponte win imperial approval by softening the politics. It succeeds anyway. Don Giovanni follows in 1787, The Magic Flute in 1791.

    10. 1788

      Three symphonies in six weeks

      His final three symphonies, written in a single burst, stand as the summit of classical symphonic writing. Meanwhile Viennese taste is moving on and his income is falling.

    11. 1791

      The Requiem, and death

      An anonymous commission — Count Franz von Walsegg, who means to pass the work off as his own — occupies his last months. He dies on 5 December at thirty-five with it unfinished, and is buried in a common grave at St. Marx Cemetery.

    Major achievements

    Wolfgang Amadeus Mozart: major achievements.

    • 01

      Over six hundred compositions

      Written in thirty-five years of life, across opera, symphony, concerto and chamber music — a body of work still performed daily in concert halls worldwide.

    • 02

      The three great operas

      The Marriage of Figaro (1786), Don Giovanni (1787) and The Magic Flute (1791). Each fuses sophisticated musical writing with characters drawn sharply enough to carry a drama.

    • 03

      The last three symphonies

      Composed in about six weeks in 1788, at a point when his finances were collapsing and the Viennese public was losing interest in him.

    • 04

      The piano concertos

      His Vienna concertos hold soloist and orchestra in an even conversation, neither subordinate — the form's benchmark ever since.

    • 05

      The Requiem

      Left unfinished at his death and completed by his student Franz Süssmayr from sketches and verbal instructions at Constanze's request. It became one of his most loved works.

    • 06

      The composer who came after

      Beethoven revered him and built on his innovations; Chopin and Liszt drew on his piano writing. Composers still study how he held technical brilliance and emotional expression in the same bar.

    Turning points

    Wolfgang Amadeus Mozart: defining moments.

    • 1762–1766

      The exhibition years

      Leopold showed his children to the courts of Europe: Vienna, Paris, London. It built the reputation and the education — J.C. Bach among the returns. It also meant constant performance in uncomfortable conditions, a father managing every shilling, and no childhood to speak of.

    • 1778

      Paris, alone

      He set out with his mother to find work. She died there on 3 July and he was left in a foreign city with neither the job nor her. The sheltered part of his life ended at twenty-two.

    • 1781

      Walking out on the Archbishop

      Being made to eat with the servants was intolerable for a musician of his standing, and he ended it with a confrontation. Independence in Vienna gave him the freedom that produced the operas and the late symphonies — and the money worries that never left him again.

    • 1788–1791

      The falling away

      Viennese fashion moved on. He borrowed to cover doctors and rent, and his letters turn desperate. He wrote the last three symphonies, The Magic Flute and most of the Requiem during exactly this stretch.

    What you’ll take away

    Lessons from Wolfgang Amadeus Mozart’s life.

    1. 01

      Freedom has a price and it is worth paying

      Leaving the Archbishop meant losing a salary he never replaced, and he was in debt for the rest of his life. It also meant Figaro, Don Giovanni, the concertos and the last symphonies — none of which the job would have permitted.

    2. 02

      The gift is not the career

      He could transpose at sight and play a covered keyboard at six, and none of it secured him a living. The talent made him a curiosity for nobility; what he built after twenty-five he built as a working professional with no patron.

    3. 03

      Write for the people in the room

      The Magic Flute was commissioned by a suburban theatre for middle-class audiences, not a court. He wrote something ordinary people could follow without lowering the standard — and it became his most popular opera.

    Did you know

    Facts about Wolfgang Amadeus Mozart.

    • 01

      Did you know that Mozart composed his first piece of music at age five and wrote his first full symphony when he was only eight years old?

    • 02

      Did you know that Mozart had an incredible memory and reportedly wrote down Gregorio Allegri's 'Miserere' in its entirety after hearing it just once at the Vatican?

    • 03

      Did you know that despite his immense talent and fame, Mozart struggled with finances and died with very little money, eventually being buried in a common grave?

    FAQ

    Frequently asked questions about Wolfgang Amadeus Mozart.

    Was Mozart a child prodigy?

    Yes — perhaps the most famous in history. He was composing short pieces at five, performing for royalty across Europe from six with his sister Nannerl, wrote his first symphony at eight, and had an opera staged in Milan at fourteen.

    What was Mozart's full name?

    He was baptised Joannes Chrysostomus Wolfgangus Theophilus Mozart. “Theophilus” means “loved by God”; he later preferred its Latin form, Amadeus — or, more often, the French “Amadé.”

    What did Mozart die of?

    No one knows for certain. He died in Vienna on 5 December 1791, aged thirty-five, after about two weeks of fever, swelling and pain; the death record gives “severe miliary fever.” Modern theories include rheumatic fever, a streptococcal infection and kidney failure. There is no evidence that Salieri poisoned him.

    Did Salieri poison Mozart?

    There is no evidence for it. The theory is one of several that grew around a death whose cause was never established. Contemporary accounts describe fever, swelling and vomiting; modern medical analysis suggests he most likely died of an acute infection, possibly streptococcal, that his weakened body could not fight.

    Was Mozart buried in a pauper's grave?

    Not exactly. He was buried in a common grave at Vienna's St. Marx Cemetery in line with Emperor Joseph II's funerary regulations for most citizens — standard practice at the time, not a mark of destitution. The grave had only a temporary marker and no detailed plot records were kept, so the exact location was lost.

    Who finished the Requiem?

    Franz Süssmayr, Mozart's student, commissioned by Constanze after his death to complete it from his sketches and verbal instructions. The original commission had come anonymously from Count Franz von Walsegg, who intended to present the work as his own in memory of his wife.

    How much did Mozart write?

    Over six hundred compositions in thirty-five years — operas, symphonies, concertos and chamber music. He composed his first pieces at five and his final three symphonies in roughly six weeks in 1788.

    What happened to his sister Nannerl?

    Maria Anna was a brilliant musician who toured with him as a child and astonished the same audiences. As they grew up, the social expectations placed on women of her time confined her playing to the private sphere while his career went on.

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